Writer's Toolbox

They say that a writer needs to read. Most writers are avid readers before deciding to write, but some just decide to give it a try.  Still, having the right tools goes a long way to writing a good book.

I was a reader and then the writing came naturally. Ideas flowed and the stories just had to be written.  Now there are boxes of stories under my desk and in the closets. Maybe some under the bed, too.

Not all stories go anywhere. Some were just the start of an idea, but we put them aside and maybe someday....

So what, besides reading, is in a writer's tool box? First it has to be grammar. I like Stunk & White Elements of Style. It's a good basic book for grammar.
I used to recommend a good thesaurus and dictionary, too. However in the age of the personal PC, that stuff is now at your fingertips.

Aside from that a collection of basic information and writing books. Not every book will fit every writer. Look for character development books, one that will help you flesh out the people in your book. Just giving a character a name and description isn't enough. If you've ever done a character sketch you've learned that the more you know about your MC the easier it is to write their reactions, thoughts, and dialog.

Now, let's go to your genre. Is your book set in the present? The 1950's? Is it a story about where you live or a different area? Vampires? Crime?

This is where research comes in. You can get a lot of information off the internet, just make sure it's a valid site and not an opinion site. Don't get the info from another fiction book. Research will pay off in the long run because make one factual mistake and someone somewhere will call you on it. Possibly in a review.

Look to other more successful authors for the way they work their craft. I recommend Stephen King's On Writing and  The Weekend Novelist. Both touch on the craft of writing and the discipline it takes to get things done. For without discipline where are we? Staring at half finished manuscripts and empty pages.

So, collect your books and make notes. Study your craft just as you would when you learn any other job.
Happy writing!

Blub on the Book Cover?

The blub on the back of the book, or now on Amazon, is one of the most important things in your book. It should give us info as to what kind of book it is, what I can expect from the plot, and tease a bit.
What it should not give is list of reviews.

I found this link shared by J.A.Konrath on Facebook.

So, I'm thinking Kool! Free Books! New Authors to love!
Then I go and start reading the blubs on Amazon.  For those of you who don't know, the blub is that bite of information on the back of the book or via kindle, the write up under the title on Amazon.

That's where I hit the brakes.  One had a quick; this person and this person now have this mystery to figure out...followed by 10 reviews. Gee, if I had wanted to read the reviews, I would have clicked on those little stars on top. Basically, I now know nothing about this book that hooked me. Pass.

Another gave too little info. Detective has to solve a murder but will it lead him into trouble?  Gee, that told me nothing. All murder mystery books just got covered by that blurb.  Pass.

Reading these blurbs annoyed me and got me thinking about how important and how much skill goes into writing them.  Don't tell me the story, tell me why it's an interesting story. I had a writer friend who could spit this stuff out like candy. I told her my one book was about an angel who saved someone who was destine to die and then she had no destiny and another angel doesn't want her to marry his human and on and on... that's a crappy blurb. I know. I struggled. 

My friend turned it into this;
"When an angel appears to tell Shay Deville she can’t marry her fiancé because she will forever alter his destiny, she thinks she is going crazy. Shay learns she was supposed to die seven months ago, but Merrick, her own guardian angel, broke angelic law and saved her. Now she is a woman without a future – or a guardian.

In spite of the angel’s warning Shay refuses to give up her dreams. She hunts down Merrick, her renegade angel, and demands he help her.Guardian Angel Merrick knows the Heavenly Handbook better than anyone, but when the time came to help Shay Deville cross over, he just couldn’t do it. Now Merrick is stripped of his wings and banished to the earthly realm until he corrects his mistakes and completes the destiny of his charge. But how can Merrick arrange to take Shay’s life when he has fallen in love with her? How can he not?

Will Merrick give up his wings and forever be cast to Earth for the woman he loves?
Can a woman without a destiny ever find happiness, or true love?"

Well, why didn't I think of that Heavenly handbook thing? So seamless. So easy and it gets the gist of the story across. 

Bottom line? Tempt me, make me excited to see what's going on inside those pages. Go check out the link of free mystery books. I did buy/get a few of the one's with the best blurb. 

These books hooked me with their blurb. 

• Someone Elses Daughter by Linsey Lanier
• A Gluten Free Murder by P.D. Workman
• The Ink Man Lies by Julia Hughes
• Last Call by J.A.Konrath
• Murder in the ER by Jackie Holiday
• Justice by Ann Voss Peterson 

Peace out! I got some reading to do.

The Editing Process...

I had Disregarding Heaven ready to go months ago and have the rejection to prove it. The only thing the editor said when she rejected me was that my hero didn't come in soon enough. Yet I've seen books where the hero didn't enter right away and they worked just fine. So I added a preamble. I'm doing a scene where the hero shows in the woman's life two years before. Which what happened but is only referenced in the way I originally wrote the story. Let's hope it works.
One thing I'm seeing while editing this story is I'll get to a place and think "I should put X here" and I insert it. Then I read down a couple of lines and see X. So I thought of it originally and did put it in. This is slowing me down as I have to keep back tracking and re-fixing the stuff I added that was already there.
>sigh<
It just makes me want to write a new story. Which I started because I had an idea pop into my head and had to get it down.
So what's your secret to successful editing?

When to hop heads...tell me how you do it???

Since my writing has been lagging lately I've been reading a lot. Right now I'm reading Under the Dome by Stephen King, Sins of the Flesh by Caridad Pinero (interesting romance about genetic testing) and something by Jennifer Cruise about a basset hound. (someone who knew we were hosting Frieda the Basset gave me that book the other day.)
So since I was once called a head hopper by a wonderful editor I've been worrying about this issue a lot. Some writers do this so smoothly you don't even feel it. The shift of POV is barely felt by the reader. Then there's others that I can see it clearly but for some reason it seems to work. Then there are writers who hop heads so often I have to back up and say...where was I?
So my question is how do you change POV's in a story? Do you have any rules on how you hop heads? Have you ever written a book totally in one POV?
Help!
I'm obsessing and I can't stop!