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3 Best Books on Writing

If you want to be a good writer, study your craft. You wouldn't preform brain surgery without training, don't dishonor your book/story by going in half-assed. Arm yourself with the right tools.

First, get yourself a good grammar book. I personally like Stunk & White. Just the facts here, no window dressing. Grammar is the basics of  writing and just like any other skill you can learn it. Refer to the book with any questions that pop up. Make notes in the book. I use post it notes to flag pages where I know I'm weaker. Every now and then I page through it to reinforce those rules in my mind. After all, if you don't know the rules, how ya gonna break them?

Second, Writing Down the Bones by Annie Lamott. This book will show you some ins and outs of the writing life. It ain't all tea parties and book signings. Writers work. Hard.

Third, will give you some inspiration. Stephen King's On Writing. Find out where he came from an the work he did to get there. From disgusting laundry sheets filled with maggots to how he hit it big. Then he tells you about his own tool box of writing. His writing schedule and his self imposed discipline.

The key to writing your book, finishing your book is found in your daily routine. Prolific writers know this in their heart.

That thing in the book...

There's something in some books that bring you so far into the character and their world that you forget you're reading. When you have to put that book down all you can think about is what happens next. Some authors seem to do this easily, others...not so much. It has to be there and it has to be consistent throughout the entire book.
As I read and listen to books I try to figure out what this is. Is it the character's thoughts? Actions? Thoughts about their actions? It's something around that stuff.
In Meg Cabot's Insatiable she went into the main character's head a lot. We heard her thoughts and how she muddled through things happening to and around her. When other characters popped up it was inside the main character's head that we heard the discription.
Stephen King does this in The Dome. (Excellent book now available in paperback. I did the audio book.) We almost constantly see what's happening through the thoughts of the few main characters.
So is this the way you write? Omnipresent or inside a head? Which is better? Does one give us a more personal view of the world created?
This is my Edgar Allen Poe action figure. Every writer needs one.