Tuesday, March 23, 2010
Since I haven't been writing much lately - which I attribute to stress - I've been bringing some of my dinosaurs down off the shelf. These are dino's I love, poured my heart into and bled on.
And now I can see they need more blood. It's time to tap a vein for them.
This led me to see how valuable that shelf time is. If I hadn't let this go and stuck it in that dark corner of my office I don't think I'd see what I see now.
One is a story I love and I basically tried tried to write from two heads. The heroine and the hero. And now, rereading it, I can see the error of my ways. I think this would definitely be better from the hero's head since it's really not a romance. (Although we do have a sexual interlude.) I can see hero being the driving force in what happens here, but there are times when we have to see the heroine's point of view because she's the only one in the room. So do I write as the omni presence in the room or do I go into her head?
Do you shelve it for awhile before going back for the final draft? Does it help?