The Amazon Hate Game

I've been over at Konrath's blog and reading about all those who are mad at Amazon for offering thousands of writers a chance at their dreams. Konrath (love this guy) has it right. Go check it out.

He sites a few articles that are bashing Amazon including Patterson's attempt to come to the aid of his publishing house. Wait, I thought I read somewhere that Patterson had a team of ghosts and didn't even write his own books anymore? (Hey Jim! It shows!) I have to wonder; what's the point? Why wouldn't an author want to control his own work? Is Patterson so rich that it doesn't matter anymore?

I went Indy a few years ago and don't have half the stuff up that I should have by this time. I worry too much about the polishing and I'm always working on my next book. There are too many books to write and too little time. There are several reasons I went Indy and none had to do with money. Don't get me wrong, any money would always be nice, but that didn't push my decision. I went Indy because I just want to write. There is where the joy lives.

If I were with a publishing house and scored the contract as a romance writer, I doubt they'd like it if book two of three were a mystery or a zombie book, or that vampire idea I've been cooking. If I had a contract I'm sure I'd lose a bit of control. My work would be a shared decision with someone in an office that makes decisions, not on my work alone, but on several factors. Climate of the industry, length of the book, what's hot, and their own personal preferences.

Bah!

How many ditched the the Harry Potter book for some of those reasons? Why did they make that decision? The quality of the book was probably not the issue, yet they still rejected it.

One of the criticisms of Indy books is the quality of the book, but that doesn't really fly, does it? I've seen books come from the big publishing houses that had typos and grammatical errors. I've read lots of traditionally published crap. Sometimes my hand itches for that red pen! Then I've read Indies who are outstanding and some with problems. There's really not a big difference in quality between traditional and Indy.

So why go Indy? Or better yet, why not?

Control is an awesome thing when it comes to your own work. 

Relationships in Romance Novels and Beyond

Once, in a writer's group I read the first half chapter of one of my WIPs. The man said my writing was always about relationships. I replied that everything in life is about relationships. A relationship doesn't have to be about love or sex or romance. The group we were sitting in was a combination of relationships. When we go to the grocery store we have some sort of relationship with every person we interact with. By reading this, my fellow blogsters are engaged in a relationship. Relationships happen on a daily basis whether we realize it or not. Some are limited, some vanish as quickly as they came, some might grow, some might kill.

The chapter that was read in group eventually led to a murder investigation and wasn't going in the romantic way that the group might have suspected. It was only half a chapter so they really didn't get the whole story.

In romances the relationship has to go somewhere. Maybe a good place where they fall in love, in bed, into a happily every after or maybe just a hint at what was coming next for our characters.

What makes up these relationships? Eye contact/looks, verbal exchange, physical exchange, and even information exchanged by a 3rd party. In some stories we can use all of these to build characters. We hear their thoughts when eye contact is made, watch the verbal exchange and reactions, or sometimes we're in the character's head while they work out questions.

Kinds of relationships?

Norman Bates and his mother
Prez Obama and Speaker of the House Boehner
Teachers and students
Coworkers
Doctors and patients
Bus drivers and riders
Stewardess and passengers
Cops and victims and criminals

Relationships are everywhere!

I was a little surprised I had to explain that everything in life is a relationship of some sort. I think some limit that word to romance, but its so much more and important in every single thing we write.

So what kind of a relationship is building in what you're writing? What techniques do you use to build it?

Finding an Agent

Ok, the Wip is whipped and turned over to wonderful person who catches all my crap to give a last look. I've got another Wip in the works but right now i don't feel like working on it. I think I need a brief respite from living in that other world.
So I've been agent surfing.
:)
I visit quite a few agent blogs and thought I had a "Dream Agent" list in my head but now as I start to reread their wants and guidelines I'm beginning to waver.
This particular Wip is a little different from what I've written in the past. It's a paranormal romance involving angels. Very hard to find that on an agent's wish list so I'm looking for those who handle both paranormal and romance. I've got a list of six so far. I want to query seven at a time because that's my lucky number. The number three has also been lucky so maybe I'll do seven agents and three pub houses?
(I'm thinking Wild Rose Press might bite on this one)
Now I've come to the point where I'm building my dream agent in my head and here's what I've come up with:
1. Must represent paranormal romance but also thrillers.
2. Must be on east coast, preferably NYC area. (so we can meet one day!)
3. Must have experience. Some kind of decent track record.
4. I think I'd work better with a woman. I think they'd understand romance books better. Are there any men agents who sell a lot of romance. They also have a better chance of understanding my sometimes weird sense of humor.
5. Must at least slip me an email every now and then letting me know whats going on. I don't need love notes but a quicky will do.
6. Can tell me up front of how they will sell my book. I'm a newbie, I need details!
I think that's it so far...any other suggestions?
If you're agented, how did you find them and are they your dream agent?