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Monday, January 25, 2010

Fame and writing rules


Once upon a time a very nice editor told me that I was a head-hopper. Although it sucks to hear something like that after she requested a full it was probably the nicest thing she could have done. Now I keep a sharp eye out for that head-hopping stuff. It's so easy to fall into another character's head when he's not looking. After all, I know what he's thinking...why shouldn't everyone else?
But that's not good writing, is it? I think it was like a major deal breaker on the road to publication.
Enter Famous writer...
I have a 40 minute ride to work and listen to books on tape/CD. Right now I'm listening to a book on tape by a very famous romance novelist. She's a household name. Even if you never read romance or wouldn't even consider one of her books..you know her. She's top of the heap in her genre.
This book is a major head-hopper. I've even backed the CD up a few times to listen again. You know, to make sure I was paying attention and didn't miss some important scene change or something that would let me move to the new POV but uh-uh, this book bounces back and forth so much my ears ache. I want to snatch up my red pen and start editing.
I know this is on CD and therefore I can't see what I could see in print and that could make a difference. Like when there is a double space to indicate time change or some other way to move POV. But there would have to be a lot of white space in this book to make up for all the shifts.
My question is; Does fame make you impervious to the rules? Does there come a time when the editor stops editing if you're too famous?
Anyone else see this happen?

3 comments:

Charles Gramlich said...

I've seen quite a lot of head hopping going on of late but it really chaps me and I an only tolerate so much of it. I think it's partly lazy writers and lazy editing practices.

Spy Scribbler said...

You mean NR, LOL. Someone with an MFA said that what she did had a technical term: "toggling narrative distance."

So I'm not sure what the difference is, or why "toggling narrative difference" is okay, and head-hopping is not.

Aimlesswriter said...

You got it Spy!
What the heck is toggling narrative distance and why when I do it is it called head hopping?
I think I'm going to google "toggling narrative".

Either way, what ever they call it Charles is right...it's annoying.

Next Book in Edits

 My next book to be released, Threshold to Midnight, is in editing.  How I feel now: