Next Book in Edits

 My next book to be released, Threshold to Midnight, is in editing. 

How I feel now: 

Editing without Screaming

That dreaded "E" word. The BIG YUCKO  of writing our brains out. 

Edit. 

Truthfully, I have multiple novels written, but not edited. They sit on a shelf, in a box or wasting away on the hard drive. Happy little stories, scary little stories, weird little stories. All just hanging out awaiting the edit. Every now and then I stumble across it and think it this was a good story. I should finish it. 

And yet it still sits in the drawer collecting dust. 

So, I recently made a deal with another writer to edit each other. We have a phone session every Saturday morning and beat each other up...er... I mean, talk about what the story needs. She reads my 3 or so chapters, I read hers and we do a basic spelling/grammar check but more importantly we talk about story structure and plot points. The building blocks of  fiction. 

Those structure/plot issues are the biggest. Did this make sense? Does the timing work? How could the MC not have seen that clue?  Some of this frustrates and we gently argue our points but mostly, in the end, the editing partner points out the weak points I didn't see in my head while writing. This is a big help. 

Got an editing partner?  How's it working for you? 

Soul Sucking Things that Get Writers

Covid 19 is a soul sucker. It's an on-edge feeling of fear, want & confusion. We fear the virus (or we should.) We want to be normal. To go back to our day to day life and to our old goals and ambitions. Right now all that is on hold. We face confusion every minute of the day. Information overload from all directions.

I was a that real job thing the other day when a man told me about those Americas Frontline Doctors who said that hydroxy-whatever can cure Covid. Wow, wouldn't that be great? So as soon as I could get to a computer I looked it up. A bunch of doctors said it's so. So I looked them up. Each. Individually. I wanted to know if they were people I should believe. 

First I saw that Facebook and Twitter had deleted the postings. hmmmm, why would they do it? 

Well it call came out that 2 of them were ophthalmologists and not regular medical doctors. One of them doesn't even have a license. The main speaker has publicly stated that she believes dreaming about demons can get a woman pregnant. 

Did I really have to read further? 

Ok so the ball of confusion is everywhere and by the time you research -- we are writers after all, that's what we do; research -- maybe an hour or two has passed. Then where are we? Certainly not writing or editing.  We all know social media is a soul sucker so now on top of all that we have Covid-land. So, how do we get our drive back? 

Back to basics; 

1. Schedule your writing time and go to it like a job. Every great writer does this so it's #1 on the how to get your writing mojo back. 

2. Close the door. Not just on the people in your house but on all that static from social media. DON'T OPEN IT! Consider it a demon ready to snatch your writer's soul. 

3. Set a goal. It could be 20 minutes it could be an hour. I like pages. Setting a goal by pages makes you get it done. I could daydream for an hour and then wrap it up. Done. But if I say I have to write 10 pages before I get up... well, then I'll have something to show for the time. 

Stay strong my writer friends. You are creative and the world needs your words. 

7 Tips for Writing a Book

Face it. Writing a book is work. Creative writing? Fiction? It takes getting into the zone. That place where you block out all else and become part of your story. Where you're inside the heads of your characters and feeling their thoughts and emotions. Your niche could be essay writing, creative writing, journaling, or memoir writing.

Getting it done is the challenging part.

So how do you do it?

• Ass in chair. This is the simplest tip anyone can give you. Sit down in front of that computer and just write. The muse will come when you show up. It's not going to call you or send you some mystical signal on when it's time to write. Pick a time and plant your ass in the chair. 
• Ignore the fear. Stop with the "am I good enough," "will anyone like it," or the worse, "will it sell?"  Stop it! Put that ego in the backseat and just write your story down. 
• Read. Sorry, you can't write in a vacuum. Best advice about writing? Read a lot. Reading introduces you to different styles and voices that could totally enrich your own writing. Read multiple genres. Don't be tied to your old tried and true favorites. Explore the world of books in every category and see what's out there. 
• Get good at Grammar. Yes, it's important and even if the reader doesn't know all the technical grammar rules they'll feel it when something doesn't sound right. Others will know and will just not want to read what you've written. Grammar is one of the most important things in your tool box. Make it work for you. 
• Set goals. Pick a page count or slice of time when all you do is write. Stephen King wrote in his book On Writing that he does 10 pages a day. Sometimes he's done early, sometimes he's burning that midnight oil. So pick your goal and stick to it. Slice of time? I used to write from 6 to 7 am before work. It was my most productive time because it was before the family woke up and started moving around. It was a quiet time with just my characters, coffee and the story. It worked for me. Find what works for you. 
• Hold precious your writing time. Choose that time and make it your job. Its a sacred time between just you and your work. Go to it and get it done.
• Go to writing conferences or join writing groups. Be around other writers and be open to learning what they have to share. No one is perfect and everyone can learn. Hanging around these kind of people will help keep your focus and motivation. 

These are just a few tips that will get that story written. After all this is done the editing process begins. Don't edit in the middle. Get it all down on paper, put it on the shelf for a couple of weeks. Then come back and read with fresh eyes. The story is the foundation, editing is the walls, and that last draft is the finishing decor. Polish it, shine it, and make it happen. 

What's to HATE About Writing?

Writing is easy and fun.
Yes, really.
All those ideas rolling around in my head flow through the keyboard to the page and it's almost like living in another world for a while.
Bliss.
Sometimes the plot is torture or the characters go in the wrong direction, they don't listen, they go off script, but overall, it's fun. I like that other world. The world where I drift off into a place only I know, with people I created from all the good and the bad of every experience I've ever had.

Then comes the edit.
(Cue music from Jaws)
First edit, not so bad. Correct a few plot points, spelling, word swaps. Go over with a critical eye. Knit it back together, take out the nicey nice and put in some raw stuff.

Put it on the shelf.
Second edit; I want to rip out every other page and end up rewriting and rewriting. How did I miss this...this....this TRASH?

Back on the shelf.
Third edit. That's where I am now with Threshold to Midnight.
And.
its.
torture.
I know this story so well that I could recite it in my sleep. Then all these ideas come into my head to make major plot changes which means go back and change other stuff so it matches the new changes.
After awhile....it's like rewriting the whole book. Then I want to change it back.

One bright point? I got an idea for a sequel, took a break, and mapped that out.

So, how do you attack that dreaded edit? How many edits do you go through before publishing?

Massive Rewrites? Blame the Beta Reader

I finished the manuscript, asked my daughter to give it a look over, she had some suggestions. I put the book aside and let her comments vegetate in my brain. Sometimes leaving these things in the back of my mind will sprout forth the solution to the plot problems.

The plot itself wasn't that big a deal, but there was something missing? I knew what I wanted to say, but from the reader comments I could see my emphasis was in the wrong place. (I hope that makes sense!)

So this book sat on a shelf for a few months while I occupied my brain with other ramblings of the mind. Then something fell into place and I knew. One morning I flipped on my computer and saw the little icon on my desk top labeled "Body Count" (It's the file where I keep all my WIPS) and knew where the story had to go and exactly what I needed to do to change it.

So, I'm rewriting and rewriting and ...oy! Rewriting. Chapters in, paragraphs out, one major change, and a big change in the ending.

Don't you love your beta reader? That one who points out all your flaws? And to think we ask (beg?) for this treatment. The beta reader comments are like suddenly putting on those prescription glasses you didn't know you needed. The world clears, the horizon is in sight and the sails go up.

I really like this story. Its post apocalypse, a new genre for me, but it had been fighting to come out for a while.  The characters speak to me and someday, I hope they'll speak to the readers.

So? How's your latest rewrite going? 

How to Edit and Stay Friends

If people know you write, there are times someone you know will ask you to look at their work. It's happened to me many times. A few pages here and there are no problem. One guy asked me to look at his work and the next time I saw him he handed me his 500 page rough draft. I never agreed to read his book. He asked me if I would look at some of his work. "Some" must have meant a whole book.  I did half of it. In giving it back to him I told him he was repeating the same tell and show issue in every scene. To start showing what was going on in the story would go a long way in giving the reader a better visual of what was happening. He was upset I didn't finish it and asked how  he was going to know where the other problems were. Hey! You got a 250 page free edit, go read the notes!
I understand his need for feed back but where do we draw the line? If I'm doing it as a favor, do I need to give a page count?

Now I edit on Fiverr. I've met some very good writers and a few who need help. Friend or stranger, here are a few things I keep in mind when editing.

1. Say something nice. Start with positive comments. This could be about the story premise, characters, or overall theme of the story.

2. Let your comments be constructive. If they don't know how to write dialog, offer examples of good dialog or link them to a site that covers it.

3. When correcting punctuation, tell them why. When listing three things put a comma before the word "and."  John likes meat, potatoes, and beer.

4. Catch the typos and flag them, but let the writer make the change.

5. Give them an overall synopsis that covers the good and explains the issues. "You have an excellent voice, but I'm seeing a lot of places where you tell more than show."

Just changing their writing or telling the person they're wrong won't help them grow as a writer. Give a clear and concise explanation of the things you flag in their story. Link to grammar or story structure sites will help to explain your comments. Every writer has a voice that is uniquely their's and an editor should respect it.

Write on, my friends...I'll see you in the pages.

Indie Author Revolution

     There’s a Revolution going on and it will touch every one of you, it probably already has. It’s in the books you read. 

     Before, agents and the big 5 publishing houses controlled 90% of the books in book stores. (Big five= Random/Penguin, Simon & Schuster, McMillan, Harper Collins, & Hatchett) They made the rules and let everyone know what was hot and what was on its way out. Agents had to bend to their wishes or they didn’t sell any books. Together they had  a strangle hold on writers and plenty of amazing books never saw the bookshelf.

     Then in 2009 Amazon said, “Publish with us,” and doors opened. Writers took control of their own futures and success.  The Indie Author was born. Like independent musicians and filmmakers, writers could now let their creativity loose on the world. The world of books has opened for both writers and readers. No longer is your reading material censored by 5 companies. Readers too, have found the freedom to read whatever they like and for a price that won’t break the bank. Indie Authors set reasonable prices and work hard to bring their stories to the world.

     

     The Publishing industry is forever changed. TeleRead, a website that reports on the publishing industry states, “if you’re a debuting writer, it’s a lot better to debut in self-publishing than in the Big Five. While the Big Five’s numbers are flat, the number of indie authors who can earn a living at it increases year over year.”

     Like the Indie Filmmakers and Indie Musicians, Indie Authors have a growing presence on web. Just type “Indie Author” into a web browser and see what pops up. You will find writers advocating for the Independent Author way of life. They are posting earnings & instructions on how to edit and publish. Indie Authors have shown up in the news. The New York Times, Forbes, and Tech Dirt have all covered the Independent Author Revolution.

     

     The earnings for Indie vs  Traditionally published writers? That would be 15% for those authors published by the big 5 vs. 70%  for the Indie Author.  

     J.A. Konrath, one of the first to step up and publish his earnings, in 3 weeks in 2012  made $100,000.  He talks about his 500 rejections from agents and publishers. He had one deal with Hyperion in 2003, he sold his book, Whiskey Sour, in a 3 book deal for $200,000.  Then, after doing everything he could to promote his books and make the numbers, they dropped him. He’s now making more as Indie. In 2012 he reported $791,000. You can check it out on his website.

     The Guardian reported that Amanda Hocking, another writer who started as an Indie Author made $2.5 million in one year. In April 2010 she wanted to go see Muppets in Chicago and needed $300. for the trip. She put a couple of Vampire love stories up on Amazon for $2.99. By August she made $6000 one month and quit her day job. By October she had $20,000 for Muppets.

     

     Writer’s Digest reported that Hugh Howey another Indie Author, made $150,000 a month from e-book sales. When the big five came knocking, he made publishing history when he made the deal and kept his digital rights. He now has a new book deal and sold the movie rights.

      

     There’s an old saying, “Everyone has a book in them,” and now it’s possible for writers to make their dreams come true. However, to be a successful Indie Author there are a few requirements.

• Learn the rules of writing
•  Edit, edit, edit
•  Multiple books = $$$
•  Publish Regularly
•  Know Cover Art
•  Market your work

Go Indie! 

Editing, Editing, #*&(*@$%*(! Editing...

Editing & stress...so happy together.
Re-editing with the help of my daughter who a ruthless, unforgiving editor. I call her the grammar Nazi, but she also pounds me on those little technicalities in the plot. A degree in psychology with a minor in literature, she should have gone into publishing. And she killing my story!

Well, not really.

She's catching things that make me go, "How did I not see that?" or "How stupid of me." Don't get me wrong, I do argue with her. Explaining my point or the character's pov. What I wanted to say was....blah, blah, blah. But then she reminds me my readers wouldn't know that, wouldn't get it.

So, I'm back to a editing a story I'm kind of sick of seeing. Now I'll be sitting out in my car on my lunch hour with my red pen. Reading something I've read a thousand times. I park in the back of the lot so I can read out loud without people thinking I'm crazy.

Anyone got any editing tips they'd like to share?

Writer's Conference Update!

I'm a little late here with the Create Something Magical Conference update but that doesn't mean it wasn't great! We had a blast! My only problem...there wasn't enough time to see every seminar. There were a few times during the day I wish I could have been in two places at once.

First up was Scene of the Crime by Geoff Symon. A former Federal forensic investigator, Geoff gave us the run down on crime scenes and discussed a few of the more famous crime scene investigations. Check out his website!

Next up; The Line Between Good and Evil offered by Janice Gabie Bashman & Katherine Craft. This covered the POV character and how its the first relate-able thing to the reader. We also talked about the anti-hero or tormented villain.

While I was absorbing Scene of the Crime by writer friend went to one called; Draw Me a Story presented by Shiloh Walker. She snagged me a hand out. This covered Character Sketches and applying them to the plot of the story. What does your character want and what obstacles/conflicts are you going to put in their path?

From there we went to World Building presented by a panel that included Christi Barth, Stephanie Draven, Eliza Knight, Lea Nolan, and Kate Quinn. It was an interesting talk about in-bedding details about the world/town/culture and avoiding info dumps. They gave us the "sins" of world building

• Info dumps (better to layer)
• Glossary - depending on how detailed and different your world 
• Obsessing over details
• Forgetting aspects as you build your story. Don't let one aspect change another's facts
• Over reliance of dialog to impart details. Character saying things like, "As you know on planet X..."

One great tip of world building if you're writing a series; Make a series bible so you can keep track of the towns, houses, character jobs, etc. 

From there we had lunch with speaker Sylvia Day. She was a very inspiring author and gave us all her blunders and successes on the road to being a full time writer. One thing she did say was, follow your heart. When they tell you can't, don't listen. 

Raiders of the Lost Arcs was up next covering Structural Elements that create a story arc. Katheryn Craft was the presenter. This covered everything: the premise, inciting incident, motivation, high stakes for failure, complications through to the dark moment and climax. And of course, the resolution. 

From there I went to Marketing with Review Blogs with Joyfully Jay, Francesca Bensi, and Susan Lee. This was great insight into the other side of the review blogs and how they chose books to review, who does the reviews, and how to find the right ones. Basically, search blog tours or book review blogs and see if they did your kind of book. They said some of the  most successful author interviews are the ones that do giveaways of books or gift cards. They talked about Good Reads for reviews, too. 

The last seminar for Saturday was 5 Things to Start Doing Before You Get a Book Deal! The speaker was Donna Galanti and she was one of my favorite speakers of the day. 

• Connect with readers through book bloggers. She covered Google Alerts for your genre. Set the alert and find out where other authors are putting their books. Invite other authors to your blog to get traffic before you launch your book. 
• ID your reader and market. Does your book appeal to a certain group? Teens, mountain climbers, vegetarians? Find the groups on Twitter and engage in conversation. 
• Find 2 or 3 places to master on social media. Search for online reviewers, if you want an agent or publisher -follow them. (www.literaryrambles.com) 
• Promote others. Heartwarming or humorous posts get the most engagement. Find/follow pages that relate to your genre.  (www.aerogrammestudio.com/2013/04/21/twitter-hashtags-for-writers/)
• Blog, Engage, and Run Contests (Rafflecopter)
• Join writer organizations & volunteer 

If you want the handout on this one email me and I'll send you a copy. She gives several good websites for marketing information. 

And that was my Saturday. Sunday was a short day. Three seminars; Beyond Spell Check; Self editing before submission, Tying it all Together, and The In the Know, How to Guide to Self Publishing. 

It was a great weekend with a lot of good information. Can't wait for next year! 

The Balancing Act

One of the hardest things in writing is everything else in life. The day job, the kids, hubby or wife, extended family, doctor visits, and on and on...

So how does a writer find the time to write? It's always hard to clear the head enough to get the words flowing. Is this more of a problem for women? Traditionally, women are the care givers and are constantly thinking about others. Do the kids have what they need? Laundry done? What to cook for dinner? Carpool? Take care of that fiverr gig. (Check out my fiverr in the right column!) Oh yeah, write the book!

I started a new job which, so far, I'm loving. The people are great and I get to write stuff for their website. I do a lot of other things too but I'm most excited about the writing. Like all jobs there's a learning curve and between that and finals, my book has fallen to the way side. I haven't touched it in three weeks.

THREE WEEKS! Yikes! I can't believe that. Its so sad. I have such high hopes for this book. No Apologies was fun to write. It came from writer's block and to break through I just let myself write badly. As I read through my pages I found I liked the book. It has tension, some funny parts, and a little romance.

I need to find balance. Carve out that writing time and stick to a new schedule to get this book edited and off my desk. I think every change in our lives calls for a new writing schedule.

What's your schedule? When do you write? Has change ever knocked you off your book?

I Hate Editing...is that so bad?

      Working on Threshold to Midnight. I wrote this 500+ page book a few years ago and since going Indie I decided to break this into two books, part one and part two.
      When I look for a book one of the things I look for is length. I read a lot so I love a long book that takes me away. I think longer books take you further into the world the author was building and you get to know the characters better. I loved King's Under the Dome and read it before I got my Kindle. It was a b*tch to lug around but worth the read. Now with Kindles big books get easier.
     Unfortunately, I hear a lot of people don't like to commit to a long book. I really don't understand this at all, but it is what it is. So that's what led me to chop this book in half. As an Indie I also have to wonder if this would be more profitable? Getting the reader to come back for more?
      After cutting the thing up, I suddenly got an idea for book three and a 10 page outline popped out of my head. One problem...I already wrote books 1 & 2 and want to dive into writing 3, but I'm trying to restrain myself to get 1 & 2 edited and up on Amazon.
     I hate editing! I so want to just move forward. I'm all excited about the ideas for number 3 and getting the rest of this story out of my head.

     Then there's the break for playing with book covers.... MaWahhahahahaha! I don't know if I'm any good at it, but I'm having fun.

Any input on covers if greatly appreciated.

 Book One;

     Diana sat down to breakfast with a madman. 

     Eggshells, she thought. This is what they mean when they say walking on eggshells. This edge of your seat fear that the wrong move, the wrong word, will set him off.

     She chanced a glance toward her husband and saw it. Right there in those Robert Redford blue eyes was the mania. That touch of insanity that crawled into their lives a few months ago was shimmering in her husband’s eyes. Like a gleam of another dimension. A place where madness grew like wild flowers. Or maybe weeds. Weeds that set their roots down deep in Luke’s brain and mangled his thoughts. Tightening on his brain cells and twisting them with fear, anger and confusion. She knew if she could get him to some kind of mental hospital they would tell her the fruit loops in his box were doing the jig right now, trying to escape. 

Editing, Time, and Zimmerman

Time...such an illusive thing.
The Zimmerman trial is eating up my time.
I love court room stuff in movies, books and Judge Judy. Now there's a real life drama being played out in Florida and its eating up my time.
I lack discipline! I know!
I should be ...ewww... yuk....editing. My main prob in my WIP is missing little words like "the", "to", "and". I know this but unfortunately there's no search for this in Word. A word I use too much of is "just", but that's an easy fix. I just search for that word in the doc and edit it out. But to try and find one of the little missing words you have to either read the manuscript backwards (mind-bending) or read the entire book out loud like a robot, enunciating each word carefully. I sometimes do this on the back deck, pacing back and forth--I'm sure the neighbors think I'm bonkers.

I think the reason I'm so caught up in the Zimmerman trial is because of the odd law in Florida for Stand Your Ground and the fact that it could go either way. Guilty? Maybe. It seems he stalked this boy and, although he's trying to fall back on the neighborhood watch thing, he didn't follow those rules. Innocent? If he started the altercation by stalking this kid, could he still be found innocent? The outcome could go either way so I'm interested. And ...maybe addicted.

I have to wonder if I'm so interested in this trial because, psychologically, I don't want to edit.
Today I have to remember writing is my job and get to my work. Sometimes working from home, I forget that this is my job and I must go to it or I'll go nowhere in this world.

Anyone else watching the trial?

The Evils of Punctuation

Commas confuse, Colons and Semi's introduce, Apostrophes are mine, Quotation marks are direct and indirect, periods put an end to it all. Dashes, parentheses and hyphens all have their places but the one that grinds my brain is the EXCLAMATION POINT!

I've been reading a short story magazine and one story that has exclamation points in every other sentence. I feel like I'm reading sentences that go like this, "He handed me ROSES!" and "I LIKED THEM!" "We went to DINNER!" "We came HOME!" "It was FUN!"
Honey, it you get that excited over the little stuff I fear for what will happen when something really exciting hits you.

Don't get me wrong. I used exclamation points, but only when the character is screaming. which isn't normal in every day conversation. Fore instance; "He's got a knife!" might earn one of those pesky points. Or even, "Help! The baby fell in the pool!"

It makes me wonder if the author of this short read her work out loud and how did she speak the exclamations!!!! Is she one of those over excited peppy individuals I'll never understand? Or did she write without realizing how excited this character would sound if you put an exclamation point in her mouth?

And why the heck did the editor not do something about this?

File this under pet peeve but too many exclamation points distract from the story. Unless you've got a caffeine hyper character who's been popping speed all day. Even then I might have the urge to shoot her.

Am I wrong?
So do you...! ?
What's your rule for the exclamation point?

Procrastination & Fear

I don't know why but for some reason I fear getting my work out there into the world. I've been calling it procrastination but, if I'm honest, it's fear. And I'm not generally a shy person.
My daddy once gave me the best advice I ever got: Keep your ears open and your mouth shut. (I wonder if he told me this because he saw my true nature lurking even when I was very young)
But its true. If you're ears are open you hear all kinds of things you don't hear when your mouth is going. This advice has gotten me through lots of tense situations. However, my rising sign sits on the cusp of Scorpio and Libra. I can hang back, take it in and then...and then...well, Scorpio's sting. Quick and lethal. I'm not real fearful of people or situations. My Scorpio takes over if pushed too far and SMACK! (literally or figuratively-whichever is necessary)
So why am I so fearful of this? My feet drag, I know I should get back to polishing my novella, Soul Mates, but I stall.
I think it's like opening a door and not knowing what's on the other side. Is it a fear of failure? Reviews? Critiques? Friends and Relatives seeing the inside of my mind? (Scary sometimes, although, Soul Mates is not one of the scary ones)
I have a friend who has a book out. It has a great premise but got really terrible reviews. I know she's a good writer, I've read other work she wrote. Then I read this and I have to agree with the reviewers. I feel awful. And I know she's written better stuff. So why was this so bad?
Ebooks put me here. Now I don't need any of the big 6 or little dozens to take my work. I can ebook it on Amazon. So there are no gatekeepers between my audience and my writing any more. If I put it out there it either flies on its own or sinks. My choice, my chance.
Then I think what if I have blinders on for my own work? Am I getting enough editing help? Should I join another editing group? Or will the mixed messages you sometimes get in these groups just confuse me?
Or should I take the plunge.
Anyone else so boggled down with ebook fear?

The Zone

My best writing comes from a place I call "the zone". When I find the zone I can write for hours and shut out everything around me. The writing is smooth and flows like a river. I'm in the story, inside my characters and it is wonderful. When I leave the zone it's like coming up for air. I have to blink and focus to come back out of the zone. And as the zone slips back into the nether-regions of my mind there's a pang of regret.
I love the zone.
My day job is very slow right now. We're allowed to goof off. One girl cross stitches, one finger paints on her ipad, one has a jigsaw puzzle on her desk. I go crazy. Those close to me say I can use this time for writing, but that doesn't always work. The zone is hard to find when there's a lot of chatter going on around you. I use an ipod but we're only allowed to use one head phone. Sometimes not enough to blot out the noise, but it's better than nothing.
The zone doesn't come easy at the day job. Sometimes I can grab it and other times it slips through my fingers like sands through the hourglass.
This book is going to take me forever to edit.

Fame and writing rules

Once upon a time a very nice editor told me that I was a head-hopper. Although it sucks to hear something like that after she requested a full it was probably the nicest thing she could have done. Now I keep a sharp eye out for that head-hopping stuff. It's so easy to fall into another character's head when he's not looking. After all, I know what he's thinking...why shouldn't everyone else?
But that's not good writing, is it? I think it was like a major deal breaker on the road to publication.
Enter Famous writer...
I have a 40 minute ride to work and listen to books on tape/CD. Right now I'm listening to a book on tape by a very famous romance novelist. She's a household name. Even if you never read romance or wouldn't even consider one of her books..you know her. She's top of the heap in her genre.
This book is a major head-hopper. I've even backed the CD up a few times to listen again. You know, to make sure I was paying attention and didn't miss some important scene change or something that would let me move to the new POV but uh-uh, this book bounces back and forth so much my ears ache. I want to snatch up my red pen and start editing.
I know this is on CD and therefore I can't see what I could see in print and that could make a difference. Like when there is a double space to indicate time change or some other way to move POV. But there would have to be a lot of white space in this book to make up for all the shifts.
My question is; Does fame make you impervious to the rules? Does there come a time when the editor stops editing if you're too famous?
Anyone else see this happen?